The project revives the cultural heritage of the Turkish bazaar at U Bülowstraße (1978-1991) - a former meeting place for the Turkish community with cassette shops, tea rooms, and live music at the so-called Gazino. In collaboration with contemporary musical artists (e.g. Emrah Gökman, Nia2161, DJ NaN and DJ Wahid Paradis), a homage to the cassette culture of the time is being created: with a large billboard in the underground station, limited edition cassettes and a live concert under the station. Directly in front of Sony Music's headquarters, the project addresses the commercialisation of music and reclaims public space.

The project brings trans-historical perspectives into public space. The performance by trans-identical, partly BiPoC performers combines artistic posters, floor foils and physical presence to create a lively dialogue between past and present.
The durational performance moves through the underground station, comments on infrastructures that often exclude queer people and BiPoC and makes structural discrimination visible. At the same time, it creates a vision of a safe place for queer life in public space.

Starting from the history of the Turkish Bazaar in the late 1980s, In Berlin Nichts Neues brings postmigrant, antifascist, and antiracist movements into public view. Through poster walls and text installations inspired by photo-novel aesthetics, the work highlights independent magazines and zines such as Antifaşist Haber Bülteni, diyalog, Köxüz, Inisiyatif, and lubunya, published by postmigrant groups in 1990s Berlin. A live reading performance with two performers and mobile sound elements activates the material—loud, mobile, and reminiscent of a demonstration.

The project brings trans-historical perspectives into the public space. A four-hour performance by trans-identical, partly BiPoC performers combines artistic posters, floor foils and physical presence to create a lively dialogue between past and present.
The performance moves through the underground station, comments on infrastructures that often exclude queer people and BiPoC and makes structural discrimination visible. At the same time, it creates a vision of a safe place for queer life in public space.